Central Intelligence Review

CENTRAL INTELLIGENCE
Rated: PG-13 (for crude and suggestive humor, some nudity, action violence and brief strong language)
Running time: 107 minutes
Released thru: Warner Bros. Pictures/New Line Cinema
Theatrical Release Date: June 17, 2016

“Central Intelligence” is one of those movies where you just sit back and enjoy the ride, and I actually will admit that I liked it more that I was planning on. Sure, it’s a long way off from being an original comedy as this concept has been done before, but it does offer its own fresh spin on the genre. Plus, the on-screen combo of Kevin Hart and Dwayne Johnson really clicked. It does deliver a lot more slapstick than the trailers led to believe.
Hart and Johnson play former high school buddies Calvin Joyner and Bob Stone, respectively, who get together after twenty years to reminisce about the high school days when Joyner was once a popular student nicknamed “The Golden Jet” and Stone was actually a fat kid by the name of Robbie Weinerdecht. During a school incident, Calvin was the only person who helped him in one of the worst days of his life. He has now come back in town to celebrate their high school reunion, which Calvin doesn’t want to attend. Oh, yeah. Bob is also an undercover agent for the CIA who is in a bit of hot water, and he needs Calvin’s accounting skills to crack a transaction progress to see when and where a potential buy to sell U.S. security codes is going down.
Dwayne Johnson is an action star, but he does have a flair for comedy as seen in “Be Cool”, and his comedic timing manages to hit the mark. Kevin Hart’s humor, not so much; more along the lines of some hits and some misses. When both Johnson and Hart are onscreen together, they seem to have impeccable comedic timing that borders along the line of old-school slapstick humor (even the action scenes are done that way too!) There are some cameos in the movie that I will not spoil, one of which is definitely funnier than the others.

The high school reunion and the bullying angle is another aspect that gives the movie the heart and emotion, and it is interesting to see this idea explored at a time when the public needs it. It gets a little too far-fetched during the finale, but “Central Intelligence” does get points for going this route (although the CGI makeup looks horrible, moreso on Hart than Johnson) I commend the screenwriters for including this, but “Central Intelligence” nails it when it comes to the humor department on the neat on-screen chemistry both men share, and in an age where foul-mouthed, potty joke humor is seen in many comedic movies nowadays this comes as a welcomed relief.


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